Resomodernity Café v5: The Exposers’ Parlor

A skit in the style of Oscar Wilde — dry, cutting, elegant — yet still earnestly concerned with the question: What, precisely, was Modernity, and what category does it inhabit?

Cast

Setting

A salon-like annex of the Resomodern Café. Plush chairs. Too many mirrors. A chandelier that flickers whenever someone pretends to be more certain than they actually are.


1. Opening: An Inconvenient Question

Arendt (sitting upright, inspecting the chandelier as if it has personally disappointed her):
Modernity, we are told, must be understood from the vantage of Resomodernity. A flattering conceit, though it risks making us acrobats performing epistemology upon a tightrope woven from our own blind spots.

McCloskey (cheerfully pouring tea she does not intend to drink):
My dear Hannah, modernity simply needs better marketing. Give people dignity, liberty, and a decent set of bourgeois virtues, and they’ll make something splendid of themselves.

Illich (leaning back like a man waiting for civilization to finish embarrassing itself):
Splendid? Deirdre, modernity took people’s souls, placed them in institutions, and fed them from plastic spoons. Nothing splendid was ever mass-produced.

Arendt (dryly):
We seem already to disagree, which is promising. Nothing reveals the structure of an age so well as three people failing to describe it in the same sentence.


2. The First Exposition: What Was Modernity?

McCloskey:
Modernity was the great dignity revolution! Ordinary people mattered. Commerce taught us to treat strangers with virtue. A rising tide of rhetoric lifted all moral boats.

Illich:
Yes, and modernity promptly installed bilge pumps that drained every last drop of human autonomy. Schools deschooled us, hospitals unhealed us, transport dislocated us, and economists congratulated themselves.

Arendt (unbothered):
You are both charmingly earnest. But modernity was, above all, a world-alienation. A shift from common sense to technical sense. From the shared to the abstract. From action to administration.

McCloskey:
Well, I never said administration had virtues.

Illich:
Administration has vices that reproduce faster than rabbits.

Arendt:
And with far less charm.

(The chandelier sparkles approvingly at the collective disdain.)


3. The Tension Surfaces: What “Category” is Modernity?

Arendt:
I propose that modernity is not an age but a condition — an estrangement of humans from the world they themselves create.

McCloskey:
I propose that it is a cultural innovation, a moral recalibration that favored persuasion over aristocratic violence.

Illich:
I propose that it is a systemic pathology — a fever caused by institutions that mistook themselves for reality.

Arendt:
We have three categories and no coherence. Which means we are very close to truth.


4. Enter Resomodernity (Quietly, Like a Servant Who Knows More Than His Employers)

McCloskey:
Resomodernity urges us to hold our convictions lightly. Preach the metaethic, they say — humility, context, no malice — and practice the metaphysic, which is simply love in decent clothing.

Arendt:
How fashionable. A public humility and a private faith. An admirable asymmetry, though dangerously susceptible to self-congratulation.

Illich:
Or worse: institutionalization.

(The chandelier flickers alarmingly.)

McCloskey:
The danger of institutionalization is precisely why the metaphysic must be practiced, not legislated.

Arendt:
And why the metaethic must be preached, not imposed.

Illich:
And why humanity must be treated with at least as much understanding as a misaligned machine-learning model.

Arendt:
You mean: with suspicion?

Illich:
With mercy.

Arendt:
Ah. A rarer commodity.


5. Convergence: The Unresolved Resofesto

McCloskey:
So modernity is a moral experiment — incomplete, inconsistent, but not without virtue.

Illich:
It is also a spiritual calamity — uprooting, standardizing, degrading.

Arendt:
And a political eclipse — replacing action with behavior, freedom with surveillance, judgment with expertise.

McCloskey:
And yet…
Resomodernity insists all three of us are right, but none of us are complete.

Illich:
Resomodernity demands our categories resonate, not resolve.

Arendt:
A clever trick. It keeps contradiction alive so that thinking does not die.

(The chandelier glows steadily — the room approves.)


Closing Line

Together (reluctantly, but with grace):
To be resomodern is to expose modernity: not to condemn it, nor to praise it, but to understand it —
and to inhabit the unresolved tension between what it promised, what it achieved, and what it cost.

(Lights fade; a faint sound of polite philosophical applause — the only applause that never disturbs anyone.)



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